
[W]orking within the solitude of The Burren in the south west of Ireland, Lola Dupre is a paper collage artist and illustrator creating beautiful distortions of the human form.
Using paper, scissors and glue, Lola’s portraits recall the mastery of Jean-Paul Goude. Twisting conventional fashion imagery to speak to our fragmented ideas of self, she questions our body image issues and affirms our desire to break free from limiting perceptions around culture and gender.
We caught up with the Algerian born artist to talk about her love of Dadaism and the benefits of staying low key on social media.
How would you describe your aesthetic?
My biggest interest is beauty, and the exploration of beauty. My work is firmly rooted in paper manipulation but is deeply influenced to a lifetime exposed to digital manipulation. I love the tactile nature of paper. I think my work is perceived very differently in person when you can see the 3D pattern behind my collages, which enables you to see the shadows and highlights that change in the light as you move.

Why do you think the Dada movement is still so relevant today?
I think the Dada movement was always very diverse, a movement between movements. Dada was about juxtapositions of the world, and now images are more accessible and varied than ever. Dada is the background noise, the unavoidable memories that influence many works.

Tell us about the process of creating one of your collages?
I try to keep the process fresh. Sometimes I have a picture in my head and I try to recreate it, sometimes I begin a work and take pleasure in the accidental course it takes. I try to be flexible, if something happens by chance and I find it beautiful I roll with it.

Do you use digital tools / programs at all?
Not really, everything I do is with paper and glue. The only digital work is some file size and colour alterations before printing, and some colour correction after I have a photo of the finished collage.

Surrealism in general is having a huge renaissance at the moment, particularly on Instagram - are there any other artists exploring this that you love right now?
Our network here blocks Instagram and Facebook so I rarely see work there. And I do not have a smartphone so even before we moved here I did not see much on Instagram. I worked with Elise Mesner a few times, she is doing well on Instagram and I love what she is exploring in her work. Surrealism is always in the background because it appeals to our base instincts I think. As a child surrealism was the first art I appreciated, the first time I saw images that played with reality.
Outside of Instgram I enjoy the works of Irina and Silviu, D. M Nagu, Keith Higginbotham and many others. The lines between surrealism, realism, art and fashion are breaking down. With the Internet, art reaches much further for many. And I think it is a great thing if the old big galleries, agencies and establishments lose some of their control and influence. Things become more random and bizarre, like surrealism itself.

Many of your visuals deal with dissecting and distorting the female body - in what way is this a commentary on the fashion beauty worlds?
Because of the way I work with existing images, I am but a mirror to what I begin working with. –
I love to look at beautiful fashion and beauty photography, images which play with our ideas of what is attractive and acceptable. Stretching this concept further is important to me and a natural part of my process. I am not interested in mainstream fashion and beauty, I love to see things which are beautiful because they are shocking and unusual. The commentary does not really interest me, but beauty is very important to me. The female body is prevalent because the female body is prevalent in the images of our society.

Tell us about the arts scene in Ireland right now?
I am not really the person to ask, I spent time in cities like Santander and Sevilla Spain, Coimbra and Porto Portugal, Marseille and Toulouse France. But here in Ireland we live deep in The Burren, a spectacular moonscape of rock and hazel groves. Neighbours raise cattle and ride horses over the mountains or gather crabs by the sea. It is a formidably curious lifestyle after living in European cities for years. I look forward to immersing myself in an arts scene again in the future, somewhere, but for now I enjoy the rich carpet of nature here.
Gallery
















